Doing this, you can restore some of the audio to the mix that the sound coming directly from the board lacks. What comes out of your sound board might be a little “dry” without the ambient sound, so you might want to add an ambient mic into the mix. If the mix is complex, adding another layer of responsibility may be too much. This doesn't add cost, but it does add complexity.
#Obs studio recording too quiet professional
Again, if people and money aren't an issue the second option will yield more professional results.įor most churches, the main or monitor engineer will handle the live-stream mix, too.
The disadvantage is that you have to invest in additional equipment, space, and human costs.
#Obs studio recording too quiet full
The advantage of the latter is that his or her full attention can be on the mix for the live-stream, and more importantly the isolation allows the engineer to mix with out spill from the PA or stage wash. For better results, you should have another person mix the live stream in an acoustically isolated location.
First, you could have the live audio engineer at your church create the mix with your current sound board by mixing to an aux. To create a separate mix, there are two options. There are a few possible ways to deal with this. You're mixing to make it sound like the person is live and in-person at your church, but you're also mixing for playback or broadcast in an environment over which you have no control. However, in the case of a live stream, you're doing both. So we've established that mixing for live sound reinforcement in isn't like mixing for recording or broadcast. Since there aren't any microphones in remote locations, those frequencies aren't a problem there. Perhaps you've even pulled down frequencies that tend cause feedback.
The way your sound is EQ'd is probably different for your sanctuary than you'd EQ for the little speakers built-in to a laptop. In the same way, if a singer is loud, you might not have much of him or her in the actual mix. Without the sound that comes from the drums, they'll sound much too low. Remember that what's coming out of the sound board might not have drums, but would have a lot of keys. From that point, where the sound is well-mixed, you can then raise the total volume to the level it needs to be in the room. When you mix sound, there's no such thing as a “negative microphone.” So, you need to raise the sound of the keyboards and other instruments to the level of the drums. (see related article, Taming the Beast: 5 Ways To Overcome Drum Volume ) Some churches lower stage volume by placing them in Plexiglass cages that doesn’t make them silent though. This causes even more differences in levels.ĭon't forget the volume levels of instruments. Singers may hold their microphones at various distances from their mouths. Some people sing loudly, while others sing in hushed tones. It would just be a matter of adding or subtracting based on taste and for the peculiar acoustics of the room.Įven with all electric instruments, that's not the case, though. If you had a silent stage, mixing audio would be simple. The acoustics of the live-venue play an important roll in what reaches our ears. Without an ambient mic, the there won't be any reactions - no laughs, no sighs, no applause. Unless you record your services now, you might not know that what you hear live can be very different from what's recorded. Maybe there's a problem with the stream.Ī lot of times, though, it's something that you can foresee and make allowances for. Maybe people are having trouble connecting. If your church is like others, the excitement of having a live stream is tempered by some of the problems that inevitably arise.
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